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Free Ebook Bible and Mission: Christian Witness in a Postmodern World

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Bible and Mission: Christian Witness in a Postmodern World

Free Ebook Bible and Mission: Christian Witness in a Postmodern World

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About the Author

Richard Bauckham, (Ph.D., University of Cambridge) is professor of New Testament studies and Bishop Wardlaw Professor at the University of St. Andrews, Scotland. He is the author of numerous volumes, including The Theology of the Book of Revelation, God Crucified, and God and the Crisis of Freedom.

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Product details

Paperback: 126 pages

Publisher: Baker Academic (January 1, 2004)

Language: English

ISBN-10: 0801027713

ISBN-13: 978-0801027710

Product Dimensions:

5 x 0.3 x 7.8 inches

Shipping Weight: 4.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#121,194 in Books (See Top 100 in Books)

Bauckham's book "is about how to read the Bible in a way that takes seriously its missionary direction." He presents Scripture as a "project" that moves from the particular to the universal; a project that invites readers to approach it as a story and to live within it.Bauckham identifies the missionary movement of the Bible in three dimensions: TIME ("from a particular past towards the universal future"), SPACE ("from one place to every place"), and SOCIAL ("from the one to the many"). In addition to these dimensions, Bauckham also introduces three missionary themes: BLESSING (God's choice of Abraham emphasizes the theme of blessing from a particular person to all people), REVELATION (God's choice of Israel emphasizes the theme of God's revelation to one nation, and thereby to all nations), SOVEREIGNTY (God's choice of David/Zion emphasizes the theme of God's universal sovereignty).Bauckham's notion of "representative geography" is a nice mechanism to explain why Israel conceived of itself as the very center of God's creation, all the while refusing to mythologize distant lands or peoples. Whereas ancient Israel waited for the nations to arrive in Jerusalem, the novel Christian development was its view of the community as the place of God's presence.Bauckham considers the charge that his reading of Scripture might be coercive, a "totalizing framework." In response he suggests that the Christian mission is not a mission of mastery or control. "The image the Bible itself often suggests for the way its truth is to be claimed is that of witness." A witness is neither judge (with final say) nor lawyer (responsible, primarily, for persuasive rhetoric) but one who reports (lived) experience. Ultimately, the cross of Christ is the essential key that prevents Christian witness from being asssimilated with the will to power. Overall, a high-spirited, energizing, and compassionate call to mission.

This was an okay book that utterly failed to grab my attention. If it hadn't been assigned for a class, I wouldn't have finished it.

Being in seminary I read lots of books. Lots. Even when I am not in class, getting ahead for the next class makes for constant reading. It's the life of a graduate student - philosophy, theology, politics, science, and history - everything in sight. Some of the books that I read are good. Really good. Others are useful for treating insomnia. Still others read like angry rants against chiliasts or some other error.Once in a while a book comes along that falls into the middle. It cannot be classified as good or bad. In this case, the content is outstanding, and I wish every pastor would read the book. Then again, maybe not. The language is academic and periodically quite dry. But if you can get past that, Richard Bauckham's Bible and Mission: Christian Witness in a Postmodern World is an outstanding, challenging work.A few quotes stood out to me as I read through it. Here is one: The New Testament gives the church in every age its missionary identity by plunging it into the midst of the biblical story where the words of the great commission still ring in its ears. (p. 25)But I was grabbed by the particular points. He confronts the failure of "postmodern" ideas and properly identifies it as a variant on Christian eschatology as well as a miserable failure. (p. 88) It maintains its place by power and domination. In addition, he sets up the principle that hanging onto this approach.Consistent with this he separates the church from the progressive ideals of liberalism. (p. 20) He sees no place for the dialectical approach within Christian missiology. That's a point which makes the work stand out - it expresses a proper Chrisitan militancy against the ways of the world.Unfortunately it also exposes the singular weakness of the book. When he discusses the church's involvement in human need, his analysis of the situation does not employ the Biblical standards of sin and abuse, but of comparative value. He uses a dialectical approach to describe the abuse. Bummer.But that's just one point. I find the book to be an excellent framework for finding your church's place when it seeks to confront this lost world with the redeeming gospel of Jesus Christ. It is not a strategy book. It is a book of principles that will be useful for anyone wishing to maintain focus on being Biblical.

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Ebook Free James Brown's 'Live at the Apollo' (33 1/3 Series)

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James Brown's 'Live at the Apollo' (33 1/3 Series)

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Audible Audiobook

Listening Length: 2 hours and 55 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: July 26, 2012

Whispersync for Voice: Ready

Language: English, English

ASIN: B008P817HY

Amazon Best Sellers Rank:

I learned more about 1962, as well as what happened before and during James Brown's performance at the Apollo. Love it.

Get On Up!!

A simple but effective running of the history, with comments on the individual recordings, of the songs that appear on James Browns first major album hit, "Live at the Apollo" recorded in October 1962 alongside the then occurring critical world event of the Cuban Missile Crisis, makes for an effective time capsule telling by Douglas Wolk of the making of this classic recording.While the author veers towards the over stated at times (did the 1,500 in the audience based on the limited public news released really behave as they did based on the belief they could die in a week!) he does a much better job of nailing the history of James Brown. These include how he got to make this recording against his record company's indifference; his on balance limited hit record success to date offset by his constant touring of an all action performance, but most of all that what was on show here was one man's personal and stylistic interpretations of a suite of songs that covered black music across the 20s to the early 60s. Some songs had undergone numerous adaptations and recordings by others plus JB before the versions done here (the ripping of of other peoples songs seems almost to have been a lifelong JB hallmark). What was really being performed was an exercise where songs could only last for less than a minute to over ten minutes as JB backed by his ever tight band riding on their leaders moods and his reading of the audience emotions laid down one of the truly original live recordings made.The fact that the LP was in popular demand for many months after to be played in full on R&B radio stations at a time when single hits were paramount was testament that something unique that connected with the black audiences of 1962/1963 had occurred and it was to be some time before JB reconnected in such a way again (and certainly never again with another live album, despite several attempts).Wolk also does a very good expose of Brown's ego and resulting mis-treatment of all around him plus how the recording was not a true full recording from having to be adapted and edited from the true JB live revue show, which while visually spectacular would not have translated into such an effective audio format.A story telling which is certainly "on the good foot" throughout.

A great short read about the live recording sessions that led to the creation of one of the seminal R&B albums. The writing is punchy, respectful, and never overwrought -- except for the glaring and jarring detours into the Cuban missile crisis. The episode is clearly relevant to the story, because the concert in question took place in roughly the same 24-hour time span that the crisis was unfolding, but while everyone in the Apollo that night may have had the crisis on their minds, the digressions into what the fighter planes and the decision makers were doing at exactly the same time that James Brown was wiping sweat off his brow as he switched gears and tore into another song are distracting and ultimately tell us little about why the crisis made the night charged. Wolk should have stuck to the performances and the music or else found a better way of weaving the crisis into the book.

Given a book-length space to fill, many magazine writers do what comes naturally: they write a book-length magazine article. Wolk, however, approaches his narrative from the top down, treating the long form with the reverence and intricate attention of a clockmaker god. His story moves chronologically in an evening's frame, but it's also shot through with a series of gears and patterns, nibble-sized pieces, and odd bits of synchronicity that align in unexpected choruses. Gliding across it all, of course, is the electric, eccentric energy of James Brown. Scrapbookers, beware: this is more than simple homage. It's a work that stands independently, with one hell of a soundtrack to boot!

I like good music writing -- it can be as lyrical and inspiring as the music it is about, albeit in another art form -- but sometimes, some music defies the written word -- Volk has worked hard here and brings us lots of facts -- but James Brown on this record in particular defies the written word -- all you can say is that some yowling and howling is so other-worldly that you gotta hear it to get it -- thanks for this valiant attempt -- but I think that after all is said and done, maybe words are not much help when it comes to this particular transcendent experience....

the cuban missile crisis almost brought an end to life on earth as we know it. who saved the day? maybe it was j.f.k.... or maybe it was the number one soul brother james brown. douglass wolk makes a good case for the godfather of soul in this well-researched, compelling, funky good time book.

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Free PDF Michael Mina: The Cookbook, by Michael Mina JoAnn Cianciulli

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Michael Mina: The Cookbook, by Michael Mina JoAnn Cianciulli

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From Publishers Weekly

San Francisco chef Mina, who has franchised himself to Las Vegas with the backing of tennis star Agassi, declares that all the recipes in his book have been "designed to be prepared in the home kitchen by a single cook." The home cook with a day job is unlikely to regard this as a practical guide, however, unless similarly driven by Mina's obsession with the core concept: the trio. Each of his New American dishes, from starter to dessert, is presented with three different interpretations of the key ingredient. For instance, his Summer Berry Cobbler, Berry Sundae with Mascarpone Ice Cream, involves creating a raspberry cobbler with vanilla streusel, a blueberry cobbler with lavender scone and a blackberry cobbler with candied ginger shortbread, in hot and cold variations to be eaten in alternating bites. The design alone—with its 100 beautifully crisp photos—will further entice home cooks to try his recipes in their own home. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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About the Author

Michael Mina is chef and owner of Restaurant Michael Mina in the Westin St. Francis in San Francisco and in the Bellagio Hotel in Las Vegas; he is also chef and owner of Nob Hill and Seablue in the MGM Grand in Las Vegas. He has won the 2002 James Beard Foundation award for Best Chef in California and the Wine Spectator Award of Excellence and the AAA Four Diamond Award. JoAnn Cianciulli, was a producer for four years on the Food Network show, Food 911, and she's the collaborator on Tyler Florence's Real Kitchen and The Lever House Cookbook.

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Product details

Hardcover: 272 pages

Publisher: Bulfinch; First Edition edition (November 1, 2006)

Language: English

ISBN-10: 0821257536

ISBN-13: 978-0821257531

Product Dimensions:

9.5 x 1.2 x 11.4 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#421,196 in Books (See Top 100 in Books)

After dining at Michael Mina's at the Bellagio, I wanted to get my wife to recreate the experience of the Chef's Tasting Menu at home. Not all of it at once mind you.Most of his recipe's are available on his website including the Lobster Pot Pie - that was truly to die for. Although after the fantastic experience at the restaurant, I pitched in to get the book - the pictures in the book are beautiful which I do not think you get with the recipes on his website.My wife loves the book - although home cooks should be warned that the recipes are extremely detailed and require you to get your mise en place on. However, the results are outstanding - if you follow the recipe and use the exact ingredients.

If you've ever had the opportunity (or pocketbook) to dine in one of Michael Mina's restaurants, this book dissects some of their best dishes. I was eager to try some of them, but was a bit dismayed by the level of difficulty. I know, what was I thinking, right?Most of the recipes require a lot of prep time as well as ingredients and techniques not familiar with the home cook ( I have yet to find a grocery store that carries truffles). If you are looking for something elegant that you can whip up in a flash you may want to look into a different book.I did however, enjoy the book much more after dining in one of his restaurants. I actually received a signed copy of his book for free when I ordered the Chef's Tasting menu. Pretty cool, except that I paid over $400 for dinner for two!!!My favorite is the lobster pot pie - to die for. I guess you could substitute some of the steps such as the handmade crust, or even rolling it over the pot, but then it would not be an authentic "Mina" experience. if you have the skills to master any of the dishes, you will definitely wow your guests.As long as this book is not approached like a practical cookbook, you won't be disappointed.

This cookbook presents a trio concept of using a basic food treatment in three different presentations. For example, seared scallops with three different sauces and garnishes to be eaten as one meal course. An interesting idea, and the recipes are not too complicated. However, the format of how the recipes are presented is complicated and confusing.

awesome cookbook that includes many of MM's basic recipes. his recipes can be hard to follow and requires multiple steps though

There is not much to say apart from this book is inspiring and some great ideas in here. To prepare a complete dish is alot of work but the sub components work well for the creative home chef. I bought mine on the Amazon marketplace used.

This is a fantastic book. Michael shares his most famous recipes - the recipes are pictured and the instructions are written in an easy to follow manner. This book is not for a beginning cook but rather, for someone who enjoys a culinary challenge.

It looked used which was a bit disappointing, but it is in great shape and is very usable and it came on time.

My gift list includes a man who already has everything. He loves fine dining and creating gourmet meals using recipes from his hundreds of cookbooks. When he discovers a cookbook by a favorite chef, it goes on his wish list. As soon as he mentioned he'd seen Michael Mina's cookbook at Williams Sonoma, I looked into it. They were selling it for list price, $50. I was able to find the same book on Amazon.com for $31.50 - more than a third off list price. It arrived very quickly, too. This is a great way to purchase books.

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